UROBORO

Join the Circle

The night, and everyone who makes it.

Join the Circle How it works
Calendar

What's on.

Instagram →
How it works

The Loop.

Four roles, one night that never stops turning.

Take one out and the night stops turning.

01 Communityare the circle it moves around
02 Partnersbring the room
03 DJsbring the sound
04 Promotersbring the crowd
Four ways in

Pick the one that's you.

Open the one that fits and apply from inside. Free to join, always.

01 Community Be at the good ones. Free entry windows, drink deals and guest list on every night we run. Free to join +

For anyone who wants to be at the good nights and looked after when they get there. Free to join, always. Everything drops in the members' WhatsApp first.

What you get
+Priority access to every event +Drink deals every night +Free guest list spots +Member-only ticket and merch discounts +Merch drops before anyone else +Secret pop-ups, members only
02 Partners Create events people remember. We build the night around you. Terms agreed up front, both ways. Partnership +

Venues with a quiet night, or brands who want an event run properly. We bring the concept, the DJs, the content and the promotion behind it. You lock in the date.

What we bring
+We book and manage the DJs +Our community hears it first +Content and paid ads behind every night +Recurring nights or one-offs +Brand activations and launches +Corporate and private events

Planning a company event? There is a page for that.

03 DJs Real bookings. Play your music. We find the room that suits your sound. Roster +

Real rooms, real floors. We put rising DJs in front of people who came to listen. No fees, no subscriptions, ever.

What you get
+Paid bookings at partner venues +Play your actual sound +Your sets filmed and promoted +B2Bs with the roster +A crowd that knows the sound +Priority on the nights you want
04 Promoters Bring your people to the Circle. Get paid on every person you bring. Get paid +

You already bring people out. Start earning from it. You take a cut of every ticket and every spend from the people you bring, paid out after the night. Hit your number and the rate goes up.

How you earn
+Paid on every person you bring +Higher rate once you hit your target +Paid out after every event +Your own guest list to give away +Free entry and drinks on the night +First pick of upcoming events
The roster

Who plays.

The people behind the sound. Every one of them plays the room, not a pre-planned set.

Sohail DJing at an Uroboro night, tech house and minimal
Sohail
Tech House · Minimal
Based in Sydney
From Australia

Infectious grooves and polished productions. Supported by Fisher, Jamie Jones and Marco Carola, with his music played at Tomorrowland and Ultra.

@sohailofc
AirRomania DJing at an Uroboro night, house and disco and ukg
AirRomania
House · Disco · UKG
Based in Sydney
From US

From professional rugby to the turntables. Romanian-American, with hip-hop roots, deep grooves and heavy bass across some of Sydney's biggest rooms.

@rob.irimescu
Giopasi DJing at an Uroboro night, groove and house
Giopasi
Groove · House
Based in Sydney
From Italy

Started at twelve and never stopped. Builds the set live off the room, so no two nights land the same.

@giopasi
Karmel DJing at an Uroboro night, disco and afro house
Karmel
Disco · Afro House
Based in Sydney
From Italy

Disco and afro house, built to keep a floor moving. Also shapes the sound and the look of every Uroboro night.

@carmelocorsaroo
Rozo DJing at an Uroboro night, disco and soulful house
Rozo
Disco · Soulful House
Based in Sydney
From Colombia

Colombian, Sydney based. Blends disco with soulful house and keeps a floor moving from the first record to the last.

@rozo_au
WIFF DJing at an Uroboro night, tech house and 90s dance
WIFF
Tech House · 90s Dance
Based in Sydney
From UK

High energy from the first record. Tech house cut with nineties dance throwbacks that lift a room fast.

@calwiffen
Will Dez DJing at an Uroboro night, house and funky groove
Will Dez
House · Funky Groove
Based in Sydney
From UK

DJ and producer blending every shade of house. Funky, groove-driven sets that keep the dancefloor flowing all night.

@willdez_
Sam Sidewayz, the DJ duo, tech house and indie dance
Sam Sidewayz
Tech House · Indie Dance
Based in Sydney and Melbourne
From Australia

A duo across Sydney and Melbourne. Dancefloor ready remixes and sets built to keep a room moving, with over 500,000 streams behind them.

@samsidewayz
Swipe to see all the DJsAll the DJs
See the full roster →
The rooms

Who we work with.

Venues and bars that have run Uroboro nights, and the ones joining next.

See all the rooms → More joining every month.
The circle so far
Inside the nights

What it actually looks like.

DJ in the booth at The Island, peak-time house setThe IslandBooth
Crowd dancing at Pelicano, Discotek disco house nightPelicanoDiscotek
The Island venue on the harbour at dusk, before doorsThe IslandHarbour
Packed floor at The Island, hands up mid-setThe IslandFloor
Circle members laughing together at an Uroboro night, warm and socialThe CircleCommunity
DJ playing to a full room at Pelicano, red light and hazePelicanoPeak time
Sydney harbour at sunset from The Island, golden hour before the night startsThe IslandSunset
Uroboro merch laid out on a dark table, limited-edition member dropUroboroMerch
Swipe through the photosThe photos
The story

Why any of this exists.

Most nights fail the same way. The venue carries the risk and gets a quiet week. The DJ takes the slot for exposure and plays somebody else's records. The crowd pays full price to stand in a room that got the music wrong. Everyone involved is doing their best, and the night still does not work.

Uroboro started in Milan, 2023 to fix the chain rather than one link of it. The thinking was narrow on purpose: a night only works when three things land together.

The selection One sound, held all night. Chosen before anything else.
The room A venue with character, not whichever space was free.
The people The energy nobody can book. It comes from who is in it.

Get those three wrong and no budget saves the night. Get them right and the room does the rest. That is the standard. The rest is who it is for.

A crowd looked after rather than sold to, with free entry windows and guest list on every night we run. Venues handed a night run properly, the concept, the music, the content and the promotion behind it, so a dead Monday becomes something people plan around. DJs given real rooms and paid slots to play what they actually play, which is the thing nobody offers early and the reason most good ones stop.

Giovanni Pasi built it and runs it. Riccardo Negretti gave it a face. In Sydney, Carmelo Corsaro took on the part that decides whether a night is any good: who plays, and what it sounds like. Promoters came next, bringing their own crowds and getting paid properly for it.

A few parties in Milan now run across Sydney's best rooms, with a crowd that turns up for the name before it knows the line-up. Uroboro was never about putting on more events. It is about making the good ones possible, in more rooms, for more people.